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3.0
电影女士之街
主演：加朗斯·马里利埃,桑德尔·丰泰克,Bakary,Keita,Amir,Bettayeb,Virginie,Acariès,Mamadou,Minte,Gradi,Beinz,Pierre,Langlois,苏莱曼·达兹,埃莱奥诺雷·戈塞-伯恩海姆,Caroline,Baehr,贝莱娜·温,Vincent,Martinez,Sawsan,Abès,Anissia,Hachemi,Tina,Riad,Hassan,Gaou,Malyka,Johany,菲利普·德绍,Théo,Askolovitch
导演：哈玛·波洛克巴,埃库伊·拉比泰
简介：The story homes in on Mia, a 25-year-old Parisian who works in a nail bar on Rue des Dames. Unbeknownst to her employer and in exchange for money, she arranges access, for some of the salon’s female clients, to sought-after parties attended by high-profile footballers…
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2.0
电影费里尼的卡萨诺瓦
主演：唐纳德·萨瑟兰,蒂娜·奥蒙特,Cicely,Browne,卡门·斯卡尔佩特,Clara,Algranti,Daniela,Gatti
导演：费德里科·费里尼
简介：意大利导演费德里克．费里尼的中期经典作《八部半》是其成熟高峰期作品，此后开始走向糜烂而至腐败，偏于肉欲放纵和自我沉溺，像《费里尼之萨蒂尼康》（六九年）和本片，都是糜烂颓废的出色力作。本片反映了十八世纪基督道德不振后的上流腐化放纵，费里尼尽情借题发挥，展现出精英文艺在人欲横流下的腐烂情态。大情人卡萨诺华是在情场屡战屡胜的;性斗士"，不断猎艳，还参加造爱竞赛。但这大情人苦于人人只重他的x愛能力，不重视他经世济民治国的才学。而且女人们对他都;有性无爱"，当他衰老得失去性魅力之后，就只能把一个机械女人当作梦中情人，很可悲可怜。
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3.0
电影关于在短时间内的某几个人的经过
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
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1.0
电影内地1929
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
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7.0
电影内部敌人
主演：哈萨姆·甘西,纳吉布·尼西里
导演：塞利姆·阿扎兹
简介：20世纪90年代，阿尔及利亚恐怖主义向法国袭来。短片聚焦两个人，两重身份，一场战争。
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7.0
电影美式
主演：萨尔玛·海耶克,杰拉丁·卓别林
导演：马修·德米
简介：影片讲述了一个充满了奇趣的冒险故事。一个年轻的法国男人在追踪一个身上充满了谜团的女人。而这个女人恰恰又是他的死去的母亲的生前好友。
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4.0
电影寂寞诊疗室
主演：维尔日妮·埃菲拉,阿黛尔·艾克萨勒霍布洛斯,加斯帕德·尤利尔,劳尔·卡拉米,保罗·艾米,桑德拉·惠勒,尼尔斯·施内德,Natascha,Wiese
导演：茹斯汀·特里叶
简介：维尔日妮埃菲拉([她])、阿黛尔;艾克萨勒霍布洛斯、加斯帕德尤利尔、尼尔斯施内德([我杀了我妈妈])、桑德拉惠勒([托尼 ;厄德曼])、劳尔 ;卡拉米([保持站立])、保罗 ;艾米([鸟类学家])主演，贾斯汀 ;楚特([床上的维多利亚])执导的第三部长片[西比勒](Sibyl，暂译)即将在美国电影市场开始销shou，首张剧照同时释出。(Sibyl一词具有极强的宗教含义) 影片剧本由楚特撰写，编剧老搭档阿图阿拉里提供部分建议。故事围绕西比勒(埃菲拉饰)展开，她从一个小说家转变为精神分析师，并在过去十年中一直致力于精神分析。然而在再度开始写作的欲望驱使下，她决定让她的大部分病人离开。当西比勒寻求创作灵感时，年轻女人玛格特(艾克萨勒霍布洛斯饰)在一个夜晚与她联系，祈求去见西比勒，西比勒最终表示同意。然而玛格特所诉说的内容，彻底把西比勒的生活颠覆。影片于去年夏天在法国巴黎、里昂，意大利斯特龙博利岛等地极其秘密地开始拍摄，并将于2019年第二季度正式完成。Le Pacte负责本片法国发行，mk2负责国际版权销shou。
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2.0
电影每个人都有他自己的电影
主演：乔什·布洛林,大卫·柯南伯格,北野武,伊莎贝尔·阿佳妮,碧姬·芭铎,拉斯·冯·提尔,让娜·莫罗,威廉·达福,南尼·莫莱蒂
导演：西奥·安哲罗普洛斯,奥利维耶·阿萨亚斯,比利·奥古斯特,简·坎皮恩,尤瑟夫·夏因,大卫·柯南伯格,迈克尔·西米诺,伊桑·科恩,乔尔·科恩,让-皮埃尔·达内,吕克·达内,曼努埃尔·德·奥利维拉,雷蒙·德帕东,阿托姆·伊戈扬,阿莫斯·吉泰,亚利桑德罗·冈萨雷斯·伊纳里多,侯孝贤,阿基·考里斯马基,阿巴斯·基亚罗斯塔米,北野武,安德烈·康查洛夫斯基,克洛德·勒卢什,肯·洛奇,大卫·林奇,南尼·莫莱蒂,罗曼·波兰斯基,劳尔·鲁伊斯,沃尔特·塞勒斯,伊利亚·苏雷曼,蔡明亮,格斯·范·桑特,拉斯·冯·提尔,维姆·文德
简介：给你一个三分钟，你会拍出怎样的电影？本片由35位知名导演，为庆祝戛纳电影节六十周年而拍摄的三分钟短片组成。细心的你会发现，在此短篇集中不仅有众多知名演员的参演，更有著名导演的客串演出。这短暂的三分钟光影，不仅浓缩了精妙的生活片段，更有每位导演对电影、对人生的深刻体悟。或温情或冷峻或真实或迷幻，人生何止五味，《每个人都有他自己的电影》如是说，你的呢？
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9.0
电影六个无价值的片段
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
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7.0
电影老情妇
主演：艾莎·阿基多,罗珊娜·马奎达
导演：卡特琳·布雷亚
简介：一个侽人在两个钕人之间摇摆不定，她们一个是魔鬼，一个是天使。
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10.0
电影母亲的微笑
主演：苏珊娜·克莱蒙,伊戈尔·凡·德塞尔,帕斯卡·德莫隆,Sabrina,Seyvecou,Mathis,Bour,Salomé,Larouquie,Carine,May,吕迪万·德·夏斯特尼,贝特朗·科姆,Carmen,Ferland,Christian,Drillaud,玛丽·贝托,让-伊夫·希洛,Teïlo,Azaïs,Stéphane,Joseph-Rose
导演：Pascal,Ralite,Colombe,Savignac
简介：A young boy has to deal with increasing family and school pressures as his mother's disease worsens.
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6.0
电影曼谷复仇
主演：约翰·芬,卡罗琳·杜西,米夏埃尔·科恩
导演：Jean-Marc,Minéo
简介：
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4.0
电影摩托竞技会
主演：朱莉·拉杜,Yannis,Lafki,Antonia,Buresi
导演：洛拉·基沃龙
简介：茱莉亚沉迷于摩托车，在街头特技活动中她结识并混入了一个偷盗改装摩托车的全男性成员组织。这部充斥着叛逆、亢奋、热血和犯罪的飙“摩”电影出自法国导演洛拉·基沃龙之手。主演朱莉·拉杜也是导演在长期潜伏于摩托车特技圈中，从社交平台上挖来的，并将其经历写进电影，最终创作出这位模糊了性别边界的主角，以其为喻体来展现特殊性别气质的人物，并解构以阳刚为标签的极限街头文化。荣获2022年戛纳电影节一种关注单元评委会特别奖。
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8.0
电影死刑1976
主演：马蒂亚斯·哈比希,玛加蕾特·冯·特罗塔,吕迪格·基施施泰因,马克·埃罗,布鲁诺·托斯特,Henry,van,Lyck,Hannes,Kaetner,Franz,Morak,Frederik,von,Zichy,马修·加里瑞,瓦勒斯卡·格特,Alexander,von,Eschwege,Maria,Guttenbrunner,Stephan,Paryla,Karl-Heinz,Merz
导演：沃尔克·施隆多夫
简介：本片出自德国新浪潮电影代表人物之一，《铁皮鼓》导演沃尔克·施隆多夫之手，是一部向法国著名导演让·梅尔维尔致敬的经典作品。影片描写第一次世界大战期间，高贵的索菲女伯爵爱上了一位普通士兵，但动荡的时代，因为这段恋情却给两人带来了可怕的灾难，影片悲伤而凄凉，是导演沃尔克·施隆多夫除《铁皮鼓》以外，最被人认同的大师作品……
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1.0
电影不要回头(原声版)
主演：苏菲·玛索,莫妮卡·贝鲁奇,安德里亚·迪·斯戴法诺,蒂埃里·钮维,布丽吉特·卡蒂永,Sylvie,Granotier,Augusto,Zucchi,Giovanni,Franzoni,Vittoria,Meneganti,Francesca,Melucci,阿德里安·德·范,Serena,d'Amato,Myriam,Muller,Thomas,De,Araujo,Lucas,Preux,Thais,Fischer,狄迪尔·弗拉蒙,Lionel,Kopp,Andrea,Coppola,帕斯卡尔·
导演：玛丽娜·德·范
简介：珍妮（苏菲•玛索 Sophie Marceau 饰）是居住在法国的一名美女作家，她和丈夫迪奥（Andrea Di Stefano 饰）共同经营一个幸福美满的四口之家。但是近一段时间，珍妮却感到令人难以承受的压力。客户的要求让她无法随心所欲写作，渐渐地珍妮发现周遭的一切开始发生变化，房间、丈夫、儿女甚至她自己的容貌都让人倍感陌生。珍妮的歇斯底里使家中的欢乐荡然无存，她和丈夫的婚姻也走到尽头。
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7.0
电影不要回头(普通话版)
主演：苏菲·玛索,莫妮卡·贝鲁奇,安德里亚·迪·斯戴法诺,蒂埃里·钮维,布丽吉特·卡蒂永,Sylvie,Granotier,Augusto,Zucchi,Giovanni,Franzoni,Vittoria,Meneganti,Francesca,Melucci,阿德里安·德·范,Serena,d'Amato,Myriam,Muller,Thomas,De,Araujo,Lucas,Preux,Thais,Fischer,狄迪尔·弗拉蒙,Lionel,Kopp,Andrea,Coppola,帕斯卡尔·
导演：玛丽娜·德·范
简介：珍妮（苏菲•玛索 Sophie Marceau 饰）是居住在法国的一名美女作家，她和丈夫迪奥（Andrea Di Stefano 饰）共同经营一个幸福美满的四口之家。但是近一段时间，珍妮却感到令人难以承受的压力。客户的要求让她无法随心所欲写作，渐渐地珍妮发现周遭的一切开始发生变化，房间、丈夫、儿女甚至她自己的容貌都让人倍感陌生。珍妮的歇斯底里使家中的欢乐荡然无存，她和丈夫的婚姻也走到尽头。
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6.0
电影盲凶
主演：朗贝尔·维尔森,雅克·冈布兰,Nathalie,Vignes
导演：Xavier,Palud
简介：一名年轻女子的尸体被发现在她的住所。尸体被肢解，房间没有强行闯入的痕迹，也没有证人，一起完美的犯罪。拉萨勒警官负责该案的侦破工作，尽管他的妻子刚去世不久，他还沉浸在丧妻之痛中。血腥残忍的杀人案仍在继续，随着案情调查不断深入，拉萨勒发现一名叫纳尔维克的盲人很可疑。只是他有着完美的不在场证明。拉萨勒确信这个盲人就是凶手，只是，怎么证明呢？两人之间的博弈由此展开......
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10.0
电影裸色告白
主演：朱丽叶·比诺什
导演：玛高扎塔·施莫夫兹卡
简介：又名: 裸色告白(台) / 情欲心渊(港) / 援交少女安是国际知名钕xing杂志记者，有一个事业稳定的丈夫和两个贪玩孩子，表面看似美满，心事却无人知晓。自从接丅采访援交的重任后，安就同时在家庭与事业两头奔波，一边担忧沉溺电玩、正值叛逆期的孩子，另一边又要帮丈夫准备工作晚宴而延宕写稿进度。为了揭露援交内幕，安主动上网;约人，认识了颓废漂亮的波兰钕子和化名劳拉的纯洁钕大学生。唯有出卖肉体，这两位钕生才能改善生活条件、供自己读书。她们服务过仟奇佰怪的侽人，包括做菜兼做嗳的;好野人、温吞又嗳哭的早泄侽、只喜爱被;咬的死鱼侽，更有狠心的SM主，将她们当作无生命的玩物，让xing事蒙上恐惧色彩。钕孩们的赤裸告白，让安的内心波涛萬丈，更让她认真审视本身的成见和欲望，一步步往自己不为人知的私领域，深入挖掘、探究影片讲述了比诺什饰演的记者安娜，采访巴黎援交钕孩的遭遇和见闻。两个名叫Alicja和Charlotte的钕孩，同安娜分享了自己的故事。而在采访过程鈡，安娜也开始不断地审视自己。
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3.0
电影强我
主演：内详
导演：Coralie,维尔日妮·德伯特
简介：
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3.0
电影罗曼史
主演：弗朗索瓦·贝莱昂,萨加莫尔·斯蒂芬南,洛可·希佛帝,卡罗琳·杜西
导演：凯瑟琳·布雷亚
简介：年轻漂亮的小学教师玛丽（Caroline Ducey 凯瑟琳•杜希饰）与相识三个月的男友保罗（Sagamore Stévenin 萨加莫尔•史蒂文饰）同居，虽然保罗口口声声说深爱玛丽，却从不与她做爱。纵然玛丽极尽挑逗之能，也始终得不到回应。倍感失落和挫折的她终于尝试出轨，她周转与各色男人之间，尽情享受久违的肉体欢愉。然而即便如此，玛丽仍然疯狂爱着那个让她心碎、嫉妒、痴迷的保罗。在不甚成功的床第欢愉之后，玛丽终于怀有身孕，也如愿和保罗走入婚姻的殿堂。只是，似乎一切并未因此有所改变……
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2.0
电影警界争雄国语
主演：丹尼尔·奥特伊,热拉尔·德帕迪约,安德烈·杜索里埃,罗什迪·泽姆,瓦莱丽亚·戈利诺,丹尼尔·杜瓦尔,法朗西斯·瑞纳德,卡特琳·马沙尔,盖伊·勒克卢瑟,Alain,Figlarz,樊尚·莫斯卡托,安妮·康斯金尼,史蒂芬·梅茨格,Solène,Biasch,Aurore,Auteuil,伊凡·弗拉内克,Cyrille,Hertel,卢德维克·伯特希尔克,乔·普雷斯蒂亚,奥利维埃·马夏尔,米兰妮·让帕诺米,米琳娜·德蒙若,Vincent,Bowen,Robert,Hoehn
导演：奥利维埃·马夏尔
简介：巴黎一连发生多起血腥暴力事件，一时间整座城市陷入了极度恐慌之中。巴黎警界两大部门BRI和BRB公开角力，势要将连番犯案的悍匪绳之于法。然而两支队伍的办事风格迥然各异，空缺的36总局局长位置也成了他们残酷竞争的导火索。BRI的首席警官莱奥（丹尼尔·奥特尤尔 Daniel Auteuil 饰）不惜帮线人隐瞒杀人犯罪的事实来获取情报，而BRB的首席警官丹尼斯（杰拉尔·德帕迪约 Gérard Depardieu 饰）更为了能亲手抓住劫匪以谋求权位而不择手段，伺机寻找机会整垮莱奥。终于，丹尼斯将莱奥告发，莱奥被判处8年监禁，妻子也因此丧命。失衡的道德线，罪恶背后的真相，刑满出狱的莱奥决定向丹尼斯展开不顾一切的复仇。根据真实事件改编的《警界争雄》荣获2005年第30届凯撒奖最佳影片在内的多项提名，成为2005年法国全年十大卖座电影之一，被称为法国版《无间道》。...
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6.0
电影赤裸吸血鬼
主演：Olivier,Martin
导演：Jean,Rollin
简介：One night on a deserted street, Pierre (Olivier Martin of Rollin's LA VIOL DU VAMPIRE) runs into a scantily clad mute young woman (Caroline Cartier) who is being pursued by men in tuxedos and bizarre animal masks who kidnap her and take her back to a townhouse that belongs to Pierre's father, industrialist Georges Radamante (Maurice Lema?tre) who warns Pierre to mind his own bu...
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9.0
电影武器的选择
主演：伊夫·蒙当,热拉尔·德帕迪约,凯瑟琳·德纳芙,米歇尔·加拉布吕,热拉尔·朗万,让-克洛德·杜芬,让·鲁泽里,克里斯蒂安·马康,伊什尼·齐科特,里夏尔·安科尼纳,皮埃尔·福格特,洛朗·布兰切,马克·沙皮托,让-克洛德·布约,安托万·博,伊丽莎白·费里埃,杰拉尔·路易辛,居伊·迈雷斯,玛丽亚·韦尔迪
导演：阿兰·科诺
简介：一对囚犯Serge和Mickey越狱离开监狱之后却遭人伏击，这是他们不得不去到Serge的老朋友Noel那庇护。Mickey却有自己的想法，认为Noel在与他作对，此时，他又得知自己竟然有个未曾谋面的女儿。危急之中，Mickey决定去绑架Noel的妻子，希望借此解决掉令人棘手的Noel……
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2.0
电影老人与小孩
主演：米歇尔·西蒙,阿兰·科昂,查尔斯·登纳,吕斯·法比奥
导演：克洛德·贝里
简介：战火纷飞的第二次世界大战时所有犹太人的噩梦。作为一名犹太人，小朗曼随着父母东躲西藏，然而天性好动的孩子总是不愿承认战争的来临，向往着像别的孩子一样自由自在的生活。好心的房东太太把他带到自己乡下父母的家里……
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2.0
电影亲近有罪
主演：Christina.Banegas
导演：Albertina.Carri
简介：别名：双子座,阿根廷中产阶级的魅力，竟如纸般脆弱。剧中一家五口，父亲沉默寡言，母亲精力旺盛，口若悬河。长子住在西班牙，夏天刚和女友回来举行婚礼。母亲左右打点，务求一切做得风光体面，却不料最小的儿子和女儿，在青春期的朦胧渴求中，一起沉沦肉欲的快感。导演没有对兄妹的出轨关系妄作解人，只是一步步营造气氛，把情节推向高潮。母亲这么爱面子，若发现真相，会有何反应？影片先铺陈中产阶级懒洋洋的生活节奏，然后迎头痛击。阿根廷中产阶级夫妇丹尼尔Daniel（丹尼尔 bull;法内戈饰）和露西亚Lucia（克里斯蒂娜巴内加斯饰）有3个孩子。大儿子埃塞基耶尔Ezequiel（达米安 ;拉蒙达饰）工作和生活在西班牙；最小的是姑娘，叫梅梅Meme（玛丽亚阿瓦迪饰），她和小哥赫雷米亚斯Jerem iacute;as（卢卡斯埃斯卡里斯饰）生活在父母身边。露西亚是个精力旺盛、自命不凡的妇女，她非常自信她能够按照阿根廷富裕家庭的模式控制住这个家庭的一切。让她感到自豪的一件事很快成了他们家以及邻居朋友的头等大事。长子埃塞基耶尔这次携西班牙未婚妻蒙特赛Montse（胡列塔齐尔韦贝格饰）回阿根廷完婚。露西亚左右打点，务求一切做得风光体面。但是，有个她看不见的事实处在青春期的一双小儿女为了寻求朦胧的肉欲快感正计划着进行兄妹间的乱论关系将成为罪过
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8.0
电影乌鸦1943
主演：皮埃尔·弗雷奈,吉内特·勒克莱尔,米舍利娜·弗朗塞,埃莱娜·芒松,让娜·菲西耶-吉尔,皮埃尔·拉尔凯,诺埃尔·罗克韦尔,贝尔纳·朗克雷,让·布罗沙尔,皮埃尔·贝尔坦,路易斯·塞格纳,罗热·布兰,帕洛,马塞尔·德莱特,Antoine,Balpêtré,Liliane,Maigné,Sylvie
导演：亨利-乔治·克鲁佐
简介：有着“法国希区柯克”之称的电影大师亨利-乔治·克鲁佐执导的作品，讲述小镇居民收到匿名诽谤信后互相猜疑，甚至引发暴力事件的故事。影片根据真实事件创作，克鲁佐暗渡陈仓意在隐射当时法国被纳粹占领后，普通老百姓人人自危的心态。由于影片为德国公司出品，因此上映后受到法国抵抗运动的抵制，二战胜利后克鲁佐一度受此牵连，被判终身禁拍电影，后经过抗争，于1947年恢复导演身份。本片也于1969年在法国正式解禁，并逐渐被视为法国电影经典，甚至有评论家认为这是在诞生于“黑色电影”命名之前的第一部法式黑色电影，昆汀·塔伦蒂诺也在《无耻混蛋》中向它致敬。
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1.0
电影欺骗2021
主演：蕾雅·赛杜,艾曼纽·德芙,米格伦·米切夫,德尼·波达利德斯,Madalina,Constantin,阿诺克·格林布戈,Rebecca,Marder,Gennadiy,Fomin,Ian,Turiak,Matej,Hofmann
导演：阿诺·戴普勒尚
简介：An American novelist living for a time in London converses with his wife, his mistress, and other female characters he may have dreamed up.
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3.0
电影灰眼珠的男孩
主演：艾曼纽·贝阿,加斯帕德·尤利尔,格雷戈瓦·勒普兰斯-林盖
导演：安德烈·泰希内
简介：故事发生在1940年6月的法国巴黎，带着两个孩子菲利普（格雷戈瓦·勒普兰斯-林盖 Grégoire Leprince-Ringuet 饰）和凯西（Clémence Meyer 饰）的单身母亲奥迪尔（艾曼纽·贝阿 Emmanuelle Béart 饰）正因为蠢蠢欲动的战火而提心吊胆着。该来的总会到来，当枪炮声回荡在街头巷尾之时，这位坚强的母亲毫不犹豫的加入了逃亡的队伍中。对于孩子们来说，这段漫长的旅程意义不明，对于母亲背井离乡的决定，他们并不十分理解。德军的飞机对逃亡的队伍进行了残酷的轰炸，奥迪尔和孩子们虽然逃过了此劫，但全部家当却都消失在了熊熊的烈火之中。就在无依无靠的三人不知该如何是好的时候，一个名叫伊万（加斯帕德·尤利尔 Gaspard Ulliel 饰）的男孩出现在了他们的面前。
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7.0
电影四十岁的高中生国语
主演：雅克·冈布兰,凯德·麦拉德,安妮·波诺什,海伦·文森特,范蕾丽尔·卡帕里斯基,菲力普·巴斯,斯蒂芬妮·索科琳斯基,吕菲斯,莎夏·布瑞克特,爱都尔德·科林
导演：雷诺·伯特兰
简介：在同一家工厂工作了20年的两名男子现在都处于失业状态，他们决定拿到他们从未获得过的文凭。
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9.0
电影冬季之前国语
主演：丹尼尔·奥特伊,克里斯汀·斯科特·托马斯,莱拉·贝蒂,理查德·贝里,薇姬·克里普斯,Jér?me,Varanfrain,Anne,Metzler,罗兰·基林,Laurent,Claret,Annette,Schlechter,Jean-Fran?ois,Wolff,Jo?l,Delsaut,Jacqueline,Ghaye,Pascale,Noe,Adam,露西·德拜,Alicia,Reiser,Valérie,Reiser,Kristien,Pottie,Véronique,Fauconnet,Yann
导演：菲利浦·克洛代尔
简介：保罗（丹尼尔·奥图 Daniel Auteuil 饰）一开始就认定了露西（克里斯汀·斯科特·托马斯 Kristin Scott Thomas 饰）是自己要携手共度一生的女人。所以从医学院刚刚毕业，保罗就和露西携手步入了婚姻的殿堂。而露西也甘愿为了保罗，为了他们的家庭而放弃了自己的前程，专心在家相夫教子。在露西的支持之下，保罗成为了著名的脑外科医生，深得病患的信赖，誉满全城。然而，当保罗意外邂逅了名为露（莱拉·贝蒂 Le?la Bekhti 饰）的女子后，他原本安稳的世界开始崩塌。露的无处不在和如影随形即让保罗担惊受怕，却也带给了他别样的暧昧和刺激滋味。此时的保罗并不知道，自己已经陷入了粉红陷阱之中。
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7.0
电影失落的病人
主演：Txomin,Vergez,Clotilde,Hesme,Rebecca,Williams
导演：克里斯托夫·查理尔
简介：The19yearsoldThomaswakesupinahospitalafterthreeyearsinacoma.Hedoesn’trememberanything.ThepsychologistAnnatellshimthathisfamilyhasbeenmurderedandthatheistheonlysurvivorofthemassacrewhilehissisterLauraisstillmissing.
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9.0
电影亚麻色之性
主演：Angelina,Lou,Berger,Laurent,Brun
导演：étienne,Dhaene
简介：故事发生在巴黎郊外的一栋迷人的别墅里。毕业考试结束后，克雷曼邀请祂的朋友们到这里来渡周末，一并庆祝毕业。不过克雷曼这次请邀请的还有一位意外的客人，那就是弗兰克，因为弗兰克了解祂们几个考试舞弊的事情，所以祂们决定用女色迷惑祂，封住祂的嘴。奇异的设计和姑娘们迷人的身体，足以让弗兰克灵魂出壳，不过事情没这么简单...... nbsp;
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5.0
电影我的维权之路国语
主演：塞希尔·布瓦,Loup-Denis,Elion,伊莎贝拉·雷纳德,弗里德里克·范登德里舍,Ilian,Calaber,罗马妮·波尔塔伊
导演：Thierry,Binisti
简介：标注“安全”的药品却让一个孩子身患中风，甚至会终身瘫痪。孩子的主治医生被医药公司收买，打算揭露真相的调查员突然死亡。一个单身母亲，为了儿子与势力庞大的医药公司展开斗争。
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1.0
电影色情电影院
主演：维多利亚·亚拉,雅各·诺勒,塞巴斯·蒂安维
导演：雅各·诺勒
简介：电影院楼上的shou票大厅里，人们谈笑风声，分享着各自的欢乐与梦想；电影院楼下的暗房中，放映着一部色情电影，上演着形形色色的同性恋；人们来往于电影院的楼上楼下
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6.0
电影手到擒来
主演：玛丽·吉兰,奥利维耶·西特吕克,布鲁诺·帕特祖鲁
导演：贝特朗·塔维涅
简介：改编自法国社会新闻事件，藉著一宗青少年抢劫杀人案件反映当今法国年轻人深受美国大众文化的影响而盲目崇美，以至迷失了正当的生存意义，主角是三名年约二十的男女，娜塔丽与艾瑞克是一对恋人，他们梦想凑足一千万法朗前往美国开服装店做老板，于是纵恿一起居住的朋友布鲁诺一同行劫。方法是由娜塔丽当鱼饵勾引有钱的单身男人，再设法让两个男的入屋抢劫，不料行动时失控而杀了人 .....导演贝尔特朗德．塔维尼埃以鲜明的现代色彩和反叛精神来刻划失根青年虚无的生活态度，堪称上乘的社会写实作品，曾获柏林电影节最佳影片金熊奖。
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5.0
电影在他的阴影下
主演：Kaaris,Alassane,Diong,Carl,Malapa
导演：马克·福查德
简介：Aprèslamortdeleurpère,deuxdemi-frèresseretrouventopposésl’unàl’autreauseind’unconflitquipourraittoutembraseretavoirdesconséquencestragiques.
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